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Download the press release or radio one-sheet for From This Place.
Individual weblinks to reviews and interviews for From This Place:National Public Radio- Weekend Edition Sunday Ottawa Citizen More weblinks for earlier interviews/performances (podcasts, links, radio): Judy Carmichael's Jazz Inspired- radio interview (2008) Anglican Journal- press interview (2008) Groovin' New York City- podcast (2005) Webster/Rochester Post- print article/interview (2004) NPR's Weekend Edition Sunday- quartet LatinJazzNet- print interview (2003) On-air duo performance with Donny WETN interview with Donny McCaslin-
Witkowski's playing is consistently thrilling, and her musical imagination seems boundless. If, among contemporary pianists, Brad Mehldau and Bill Charlap represent the gold standard, then Deanna Witkowski deservedly
ranks as their sterling sister. Photos for press
Downloadable hi-res press photos for From This Place Photo credit on all photos: Janis Wilkins CD cover in color •• CD cover in black/white •• Cover photo (no text) 8x10 color •• Cover photo (no text) 8x10 black/white
Selected quotes:
Witkowski has combined The Spirituality of the Soul and Heart
with The Spirituality of Jazz. These performances are, above all,
prayerful. They are also properly liturgical and and should be sung
and played in churches. Ms. Witkowski continues the work of Mary Lou
Williams who was the first major jazz artist to compose for liturgical
purposes. This music is 'healing to the Soul'.
-Rev. Peter F. O'Brien, SJ, Executive Director of The Mary Lou Williams Foundation, Inc Improvisation, which is at the heart of jazz, provides a metaphor for the Creator's acts toward the creation and toward human creators. The worshiper (or, in the case of recordings, the listener) listens for wonder, playfulness, surprise, wit, and respect for tunes on which each improvisation is based. Those of us who have heard Deanna in church, home, club, studio, or auditorium, have found new reasons to improvise praise for such fresh sounds.-Martin E. Marty, theologianUniversity of Chicago
Witkowski is a wonderfully gifted pianist with a strong sense of beauty and harmony, but I was unprepared for how natural and affecting her voice is. Her technical skills as a singer nearly match her keyboard prowess, but in both cases, what shemost powerfully conveys is emotional truth. Following the hallowed path of Mary Lou Williams, pianist and vocalist Deanna Witkowski devotes her fourth album exclusively to the blending of jazz and liturgy, drawing on scripture, the Mass, 19th-century poetry and original verses to build this expansive house of musical worship. Four notes into saxophonist Donny McCaslin's bluesy intro to "Let My Prayer Rise" it becomes evident how invigorating this marriage of secular and spiritual will be. With the slightly scorched purity of Witkowski's vocals (and the angelic virtuosity of her playing) as the central pillar, McCaslin, bassist John Patitucci and drummer Scott Latzky circle like impish altar boys, never irreverent yet eager to splash her white lace with vibrant daubs. -Christopher Loudon, JazzTimes Witkowski is solid as a modern vocalist but exquisite as pianist and composer, in any context. -Andrea Canter, JazzPolice.com Witkowski's originals on From This Place are some of the most interesting selections here. The song "From This Place" builds beautifully and is a definite high point on the disc. "Never Before" is Witkowski's recounting of the angels telling St. Mary that she will be the mother of Jesus. While not at all jazz, it is the most striking moment on the CD. An a cappella piece in three-part harmony, it's stop what you're doing gorgeous. -Paul Abella, ChicagoJazz.com HIGHLY RECOMMENDED for listeners who understand that jazz can be a place where the spirit wants to join you! -Rotcod Zzaj, Improvijazzation Nation
Reviews for previous releases Length of Days full press reviews: download pdf Wide Open Window full press reviews: download pdf Having to Ask full press reviews: download pdf Selected press quotes: Witkowski's playing is consistently thrilling, and her musical imagination seems boundless. If, among contemporary pianists, Brad Mehldau and Bill Charlap represent the gold standard, then Deanna Witkowski deservedly
ranks as their sterling sister. Vision and depth with every phrase, chord change and tempo variance
make her music universally appealing. Witkowski is the real thing.
One of the best of the new generation of jazz piano players.
-Bruce Crowther, Jazz Journal International Witkowski is not far from jazz stardom with her keyboard techniques,
her imaginative composing and arranging, and her wordless vocalizing.
Remember her name. **** rating [for Length of Days]...Witkowski's sheer musicality is abundantly evident, from a well-developed sense of line and harmony in composition, to the airily individual takes on standards like "Hi-Lili, Hi-Lo," "In the Still of the Night" and "I'm Beginning to See the Light." Wide Open Window will refuse to allow you to file it away and forget about. It's too different and too vital. Bravo, Ms. Witkowski. Witkowski copped first place in the Great American Jazz Piano Competition and this release [Wide Open Window] shows why. Exceptional taste and imagination, considerable harmonic resourcefulness, and the rare ability to shed striking new light on familiar material.
Deanna with Guinga, California Brazil Camp 2004 "Piano profundo, sentido, solit�rio. Deanna toca como quem escreve uma
carta para algu�m que n�o existe. Seu piano anuncia todos os outonos."
A distinctive pianist and composer who plays with imagination, sensitivity, and fire. An extraordinary talent whose music speaks articulately with elegance, honesty and beauty.
More reviews Jacksonville Times-Union (on 2002 Great American Jazz Piano Competition win) All About Jazz (2005 review of tenor saxophonist James Finn's Great Spirit, with Deanna on piano, Leon Lee Dorsey on bass, and Klaus Kugel on drums) Dusted Magazine (another review of Great Spirit) |
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